Identity and Idolatry: The Image of God and Its Inversion, Vol. 36 (New Studies in Biblical Theology)
“In Identity and Idolatry, Richard Lints shows himself to be an exceptional thinker who combines the sensitivities of a theologian with that of a philosopher and interpreter of the Bible. He not only speaks of ideas in the abstract but shows how these ideas forge the way we think and act. I recommend this book to all thoughtful Christians.”See All
Tremper Longman III
Robert H. Gundry Professor of Biblical Studies, Westmont College
“Begin with the imago Dei. . . . Work that out across the canon, and you discover that light shines on many topics, not least the nature of idolatry. This book manages to blend some elements of systematic theology with careful biblical theology to produce a study that is wonderfully evocative.”See All
D. A. Carson
“This is an outstanding read and I heartily recommend it to you. Rather than treating various aspects of human nature as so many other theological anthropologies do (body, soul, spirit, mind, emotions, will, et al.), this is a thorough treatment of human identity from the angles of systematic and biblical theology. It's about who we are versus what we are.”See All
Paul D. Adams
In Christ Jesus, November 29, 2015
"So God created man in his own image, in the image of God he created him; male and female he created them." (Genesis 1:27)
Genesis 1:26-27 has served as the locus of most theological anthropologies in the central Christian tradition. However, Richard Lints observes that too rarely have these verses been understood as conceptually interwoven with the whole of the prologue materials of Genesis 1. The construction of the cosmic temple strongly hints that the "image of God" language serves liturgical functions.
Lints argues that "idol" language in the Bible is a conceptual inversion of the "image" language of Genesis 1. These constructs illuminate each other, and clarify the canon's central anthropological concerns. The question of human identity is distinct, though not separate, from the question of human nature; the latter has far too frequently been read into the biblical use of image'.
Lints shows how the "narrative" of human identity runs from creation imago Dei) to fall (the golden calf/idol, Exodus 32) to redemption (Christ as perfect image, Colossians 1:15-20). The biblical-theological use of image/idol is a thread through the canon that highlights the movements of redemptive history.
In the concluding chapters of this New Studies in Biblical Theology volume, Lints interprets the use of idolatry as it emerges in the secular prophets of the nineteenth century, and examines the recent renaissance of interest in idolatry with its conceptual power to explain the "culture of desire."
One of Desiring God's Top 15 Books of 2015