Idea of Biblical Poetry: Parallelism and Its History

Kugel, James L.


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Is there poetry in the Bible? Does it have rhyme or meter? How did ancient Hebrew writers compose their works? James Kugel's provocative study provides surprising new answers to these age-old questions. Biblical "poetry" is not a concept native to the Bible itself, he proposes, and the idea that the Bible is divided into prose and verse is merely an approximation of the reality of biblical style. Arguing that the Bible presents a continuum of speech heightened in varying degrees by different means, Kugel sets out to describe Hebrew's high style on its own terms. He also offers a thorough history of the idea of biblical poetry, starting with Philo of Alexandria and Josephus in the first century C.E. and charting its development through the Church Fathers, medieval Jewish writers, the Christian Hebraists of the Renaissance, and on into modern times. The story of how each age understood the nature biblical poetry, Kugel concludes, is a key to understanding the Bible's place in the history of Western thought.

Specifications
  • Cover Type
    Paperback
  • ISBN
    9780801859441
  • Page Count
    352
  • Publisher
    Hopkins Fulfillment Service
  • Publication Date
    June 1998

About the Author

James L. Kugel, Starr Professor of Hebrew at Harvard from 1982 to 2003, now lives in Jerusalem. A specialist in the Hebrew Bible and its interpretation, he is the author of The God of Old and The Great Poems of the Bible. His course on the Bible was regularly one of the two most popular at Harvard, enrolling more than nine hundred students.
Idea of Biblical Poetry: Parallelism and Its History Kugel, James L. cover image
Hopkins Fulfillment Service

Idea of Biblical Poetry: Parallelism and Its History

From $28.18 $31.00
Is there poetry in the Bible? Does it have rhyme or meter? How did ancient Hebrew writers compose their works? James Kugel's provocative study provides surprising new answers to these age-old questions. Biblical "poetry" is not a concept native to the Bible itself, he proposes, and the idea that the Bible is divided into prose and verse is merely an approximation of the reality of biblical style. Arguing that the Bible presents a continuum of speech heightened in varying degrees by different means, Kugel sets out to describe Hebrew's high style on its own terms. He also offers a thorough history of the idea of biblical poetry, starting with Philo of Alexandria and Josephus in the first century C.E. and charting its development through the Church Fathers, medieval Jewish writers, the Christian Hebraists of the Renaissance, and on into modern times. The story of how each age understood the nature biblical poetry, Kugel concludes, is a key to understanding the Bible's place in the history of Western thought.

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